As the name suggests, the Workspace Settings is where you can control settings for your whole Workspace. You will notice that the Settings page has moved to the sidebar and has been split into two – Workspace Settings and Personal Settings. This setting is applied to all members in your Workspace automatically. Today, we’re bringing this option to Workspace Settings, allowing you to set a universal self-destruct for all new uploads to your Workspace. Universal Self Destructįor a long time, Jumpshare had an option to set self-destruct for individual files. This universal setting is applied for all members in the Workspace, thus giving admins greater privacy controls. Owner and Admin(s) on the Business plan also get an option to set universal privacy settings for all new uploads on their Workspace. Here you will find the options to set your link privacy: To access this option, open any file, click Share and visit the Privacy Controls tab. Keeping this in mind, we’ve added greater privacy controls for your uploads. Link Privacy SettingsĮveryone has different sharing needs. We’ve also improved the Copy/Move dialog and added drag & drop so you can easily move your files from your Personal Library to the Team Library to share with your whole team. To invite specific members to collaborate in the Shared Library, just visit any file or folder in your personal library and click Share and then visit the Invite tab. The Team Library is for collaboration with all team members in your Workspace. The Shared Library is where you can collaborate on your content with specific team members. As the name reflects, Personal Library is where your uploads go by default and they’re private. LibrariesĮvery Workspace now comes with three Libraries – Personal, Shared, and Team. However, customers with large teams can create multiple Workspaces, one each for every department, helping everyone collaborate better together and customize the settings according to their requirements. Most customers should be fine with one Workspace. We’ve moved away from accounts to Workspaces so that you can invite your teammates easily, helping everyone in your company communicate better, save time and become more productive. Now you have a choice to directly copy and paste your screenshots anywhere – emails, documents, and blog posts – without the need for saving it to the desktop or uploading it Jumpshare first. The Annotation tool has been expanded to include a new Copy option. The new design also works great on multi-monitor displays and allows you to view your content outside the recording area easily. You can now switch between partial and fullscreen mode before starting your recording. We’ve also updated the fullscreen controls and moved them to the left side of the screen so that it’s easily accessible. A brand new responsive control bar now helps you easily access the recording controls and has allowed us to add more options as we expand this tool, such as recording quality, aspect ratio, restart recording, and more drawing shapes. We’ve heard your feedback and completely redesigned our screen recording tool so it’s faster, more efficient, and easier to use than before. We’ve introduced a long-awaited dark mode to our Mac app (coming soon to Windows!) so it complements the dark theme of our file viewer and of macOS which is preferred by many of our users. This also means that Jumpshare is completely engineered using native code from the ground up for both Mac and Windows, making it incredibly fast and a breeze to use. We’ve re-written the architecture to make actions like switching between the libraries and searching for your uploads instant.Īt Jumpshare, our philosophy is to help users become more productive in the least number of steps possible which means allowing users to perform most of the actions from their desktop app without forcing them to visit the web dashboard. The search bar has been moved to the very top, allowing you to search all libraries in your Workspace quickly. The content area has been expanded to show 6 recent uploads, up from 5, helping you easily browse them. The first thing you will notice after updating your Jumpshare app is a brand new design with bigger and more accessible icons to access the tools on top of the window, along with quick access tabs to navigate between your libraries. Here are some of the biggest changes: A Fresh New Look We’ve also introduced Workspaces, Shared Library, a new recording tool, and more to help you work better. Jumpshare v3 comes with a brand new interface with completely redesigned elements to focus on quick visual communication and team collaboration. Today we’re thrilled to share it with the world. Early this year, in the midst of the global pandemic, we set out to build the fastest, most advanced visual communication platform.
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At least as far as any "critical" viewing goes. Which is why around "here" a lot of folks stay the heck away from it. play differently depending on which codec is used in Quicktime. always play like the original in PrPro, and since I changed the nVidia setup default they play the same in VLC, but. Quicktime treats the same output into different codecs differently. And that you as the "content provider" cannot control.Īfter changing the default nVidia control panel setting to assume 0-255, VLC seems to behave properly on my machine. Throw in the typical gamma mismatch between Quicktime and most anything else, you've got two variables that are WRONG. Given that many nVidia chipped cards set up with an assumed 16-235 range, and shrink all other material down into that range, there's a problem right there. with appropriate settings on the export, it SHOULD match the original. You can check if PrPro is exporting other than expected by bringing an exported clip back into PrPro. on all devices that will show your material. You cannot control those variables in other machines run by other people. it wasn't that PrPro had done a bad job, but that the gamma used by the video player was a bit different. it suddenly and completely matched the "original" example set side by side with the "bad export" example. In other threads when someone provides an example of "bad" export by PrPro, another user has taken the "bad" clip, changed the gamma inverse to what the used video player typically does, and gee. different video players treat gamma a bit differently. Now, let's throw on top the gamma question. as of course does contrast (the last two are linked, of course, as far as "data" goes). the darks just ain't so dark, the highlights mush, and the color tends to flatten a bit. Unless a video player (such as that within PrPro) insists on doing it's own thing, that will "rule" what happens. Similar to the note above in this thread by another person, my video card (EVGA GTX-770/4Gb of course nVidia based) installed itself using it's own default setup for video programs: 16-235. the issue is that the gamma or the outer-range of signal have been changed by a video player. The issue isn't that the color has changed in the file. Hopefully this doesn't turn out to be a bug but I don't think it is, because I use mpeg-2 several times a day when I export for broadcast and I haven't ever had it wash my video out in any media player at all unless my GPU settings weren't correct. Before they looked terrible though and Premiere looked okay. Video used to be washed out on my PC too but once I found the 16-235 and changed it then all my media players looked correct. Also could you upload a small test file that I could check on my system? The reason I don't think it would be good to make the color darker is because I'm thinking this is probably a GPU/OS on your specific machine possibly causing the issue. There are a couples settings mac's have that make things look washed out. Scroll to the bottom of the post there is also one towards the middle that might help. Unless their is some wierd bug going on here.Īlso often times with mac's you need to check the following settingsĬheck this too. I'm not sure how to weak this on a mac though but you need to make sure your colors aren't set to 16-235 because that's what I'm starting to suspect, because I haven't ever had issues with mpeg-2 appearing "washed out". Do you have a NVIDIA graphics card? Sometimes when people have NVIDIA GPU's and they have their color range set to limited 16-235 it causes stuff in their media players to look washed out. Since you're having issues with mpeg-2 I know something wierd is for sure going now. According from how they made it sound on provideo and the one other site I read it on anyways. But Premiere isn't affected/fooled by this like most media players are. I've always just assumed Premiere was somehow correcting it, because when I export my video to mpeg-2 for playback on our server it looks like it looked in Premiere.įrom what I have read though the reason the Quicktime format does this when using the h.264 codec looks and looks washed out is because of a incorrect gamma tag. However when I import ProRes files into Premiere they don't appear washed out, but when I play them in Quicktime or VLC they do appear washed out. I've never experinced a gamma shift when using the standard h.264 format option in Premiere, however if you have already used that option and you're still having issues then I have no clue what is going on. A couple of the articles I posted are supposed to "fix" the problem although I haven't ever tried any of them myself. If you read around the net a lot of people have had this issue with h264. mp4 container? If you used the Quicktime h.264 the option itself is flawed. Did you use Quicktime's H.264 export option? Or just standard h.264 using the. Warto zauważyć, że firma jest również jedną z niewielu firm antywirusowych oferujących darmowe narzędzie dla systemu Linux (obsługiwane dystrybucje obejmują Ubuntu, Fedorę i OpenSUSE). Podczas mojego testowania działało to tak sprawnie, że gdyby nie pojawienie się grafiki Comodo nie miałbym pojęcia, że potencjalnie podejrzany plik wykonywalny został uruchomiony w wirtualnym środowisku. Program antywirusowy Advanced oferuje kilka szczególnie imponujących funkcji, w tym opatentowane "Auto Sandbox Technology". Oferta antywirusowa Comodo obejmuje darmowy produkt, Comodo Antivirus, a także Comodo Antivirus Advanced, który oferuje natychmiastowe usuwanie wirusów i skanowanie w czasie rzeczywistym, które sprawdza pliki systemowe użytkowników pod kątem plików zidentyfikowanych jako szkodliwe przez systemy chmurowe.Ĭomodo Internet Security, dostępny do bezpłatnego pobrania, oferuje imponującą różnorodność funkcji zabezpieczeń internetowych, w tym ochronę domyślną odmową, "kontrolę aplikacji" (narzędzie, które sprawdza, czy tylko legalne aplikacje działają na komputerach użytkowników), i biała lista usług w chmurze ażeby pomóż użytkownikom szybko zidentyfikować prawidłowe pliki. Ale czy mają one cechy pasujące do strony graficznej? Przetestowałam programy Comodo Antivirus, Antivirus Advanced i Internet Security, aby się tego dowiedzieć. Seria konsumenckich produktów antywirusowych Comodo jest dobrze znana ze swoich wygodnych interfejsów użytkownika. The Sims 4: Discover University introduced the new robotics and research and debate skills. If you're struggling for money during your university career, check out our guide to all The Sims 4 money cheats.Traits.equip_trait trait_University_BartenderDegreeĭistinguished degrees, and whether your sim can have one will depend on what university they attend as each university offers distinguished degrees in different subjects.įoxbury Institute offers distinguished degrees in the following subjects:īritechester University offers distinguished degrees in the following subjects: traits.equip_trait trait_University_VillainyDegreeBSHonors.traits.equip_trait trait_University_VillainyDegreeBS.traits.equip_trait trait_University_VillainyDegreeBAHonors.traits.equip_trait trait_University_VillainyDegreeBA.traits.equip_trait trait_University_PsychologyDegreeBSHonors.traits.equip_trait trait_University_PsychologyDegreeBS.traits.equip_trait trait_University_PsychologyDegreeBAHonors.traits.equip_trait trait_University_PsychologyDegreeBA.traits.equip_trait trait_University_PhysicsDegreeBSHonors.traits.equip_trait trait_University_PhysicsDegreeBS.traits.equip_trait trait_University_PhysicsDegreeBAHonors.traits.equip_trait trait_University_PhysicsDegreeBA.traits.equip_trait trait_University_LanguageAndLiteratureDegreeBSHonors.traits.equip_trait trait_University_LanguageAndLiteratureDegreeBS.traits.equip_trait trait_University_LanguageAndLiteratureDegreeBAHonors.traits.equip_trait trait_University_LanguageAndLiteratureDegreeBA.traits.equip_trait trait_University_HistoryDegreeBSHonors.traits.equip_trait trait_University_HistoryDegreeBS.traits.equip_trait trait_University_HistoryDegreeBAHonors.
“OMG, I am NOT in rehab, and people think this, and blah blah blah.” Incessant Internal Chatter (I.I.C.) Maybe we all do.Īnother side note that I thought I would share is this: At first, when I got texts asking me if I was in rehab, I panicked. What I am saying is: I need to slow down. They missed that I work there, that I teach yoga/writing workshops there.īecause it’s making me look at my own life, at my own patterns, at how I oftentimes don’t pay attention or am already on to the next thing. I posted the word “rehab,” and that’s all people saw. It’s the most rewarding and fulfilling job I have had besides working with kids with special needs.ĭo you know how many messages I have gotten asking me if I am in rehab myself? A lot. I recently started teaching my workshops at a rehab. I am a fan of living in the NOW, in the moment, and all those other wonderful ideas surrounding “being present.” That isn’t what I am talking about. I was not, nor am I, upset at those people. in the same sentence, it struck me as a sign of our times that people wouldn’t look it up to double check before they sent a congratulatory message. The pregnancy can’t survive, and it can be life threatening to the mother), but having seen the word “ectopic” before pregnancy and the fact that I wrote words like “pain,” “complications,” etc. Now, I understand that people didn’t know what it was. Last month, when I was going through the ectopic pregnancy, so many people emailed me to say congratulations. I think, however, that we need to pause (Click to Tweet!) Posting our thoughts as we have them on Facebook or Twitter. You write something and hit publish, and just like that, it’s a thing in the world. I’m working on a longer piece on how immediate our lives are. On how quickly we respond, without really listening or paying attention simply because it’s what we are used to. If you don’t stop and look around once in a while, you could miss it.” In this report, we have discussed the calculation of gas phase fugacity in NH/sub 3/-H/sub 2/S-H/sub 2/O and NH/sub 3/-CO/sub 2/-H/sub 2/O systems. For some of these mixtures, the above transport and dielectric strength measurements have been performed over the concentration range from 0 to 100% of the attaching gas in the nonattaching buffer gas. In this paper, we will present measurements of the electron drift velocity, attachment, diffusion and ionization coefficients, and high voltage dielectric strengths of several gas mixtures proposed as candidates for use in diffuse discharge switching applications. In the opening stage, strong electron attachment along with high dielectric strength is required of the gas mixtures in order to extinguish the discharge more » as quickly as possible (and, thus, achieve a fast opening time) to prevent arcing occurring between the switch electrodes due to the high voltages induced across the switch in the opening phase. In the conducting stage, the electron drift velocity must be large, and the electron loss processes (e.g., due to electron attachment and recombination) must be low so as to maximize the efficiency of the current gain in the discharge while maintaining low discharge impedance. Gas mixtures for possible use in diffuse discharge switching applications require both high dielectric strength and specific transport properties in the conducting and the opening stages of the operation of the switch. Our attachment and breakdown measurements for these gases and gas mixtures are reported and discussed. The dc breakdown strength of 1-C/sub 3/F/sub 6/ is dependent on the total gas pressure after allowing for the effect of compressibility of the gas. These measurements have been performed over the total pressure range 25 to 600 kPa. Breakdown measurements have been performed in 1-C/sub 3/F/sub 6/ using uniform field electrodes and in mixtures of 1-C/sub 3/F/sub 6//N/sub 2/ and 1-C/sub 3/F/sub 6//SF/sub 6/ using point-plane electrodes. 15 kPa, indicating that the attachment process involves the interaction of two or more 1-C/sub 3/F/sub 6/ molecules. A partial pressure dependence of the attachment rate on 1-C/sub 3/F/sub 6/ has also been observed in these mixtures, which may saturate above approx. A considerably larger total pressure dependence has been observed for 1-C/sub 3/F/sub 6/ in N/sub 2/ and Ar, which does not saturate, even at the highest buffer gas pressures (3.2 MPa). = 1 eV, and more » in Ar over the energy range from approx. 700 kPa in N/sub 2/ over a mean energy range of from thermal energy to approx. It has been observed that the higher order perfluoroalkanes (n-C/sub N/F/sub 2N+2/ 3 less than or equal to N less than or equal to 6) exhibit a marked dependence of their attachment rate constant on the total gas pressure, particularly in the pressure range from 53 kPa to approx. The pressure dependence of the attachment rate constant of several perfluoroalkane dielectrics has been studied in buffer gases of N/sub 2/ and Ar up to a total pressure of 2.4 MPa. The most traded Card of Charles Oakley in the past 30 days on ebay was for 1986 Fleer #81 Charles Oakley PSA 9 by Fleer from 1986 with an average price of $61.9. 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Charles Oakley was born in in Cleveland, Ohio. In his career he played for Chicago Bulls, New York Knicks, Toronto Raptors, Washington Wizards, Houston Rockets and retired in 2004. About Charles Oakley Updated at Charles Oakley was a Basketball-Player. I wanted to see if this gentler pair (they have a graduated compression of 15-20 millimeters of mercury - a metric used to calculate the pressure applied when wearing them) would help while I navigated two upcoming flights. I also liked that the top band wasn't too tight around my calves. The material has a little bulk to it, but it's also stretchy, which makes it easy to get on my feet without pulling or tugging too hard. Besides the impressive shade range, I was immediately impressed with the fabric, which felt very soft and comfortable against my skin. I went with a blue, green, and pink trio because I love bright colors. I opted to try the knee socks from Laite Hebe which come in packs of three and in dozens of colorways. 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Broddick then sees a news report detailing the destruction of Ramon's convoy. Ramon detonates a bomb in the process, destroying the convoy, but not the snake.īroddick reveals his plan to bring extreme big-game hunting to the city, as yet another pastime for the mega-wealthy, and the python is to be the quarry. The main door of the sealed container opens, and an abnormally large, nightmarish reticulated python, about 80 ft (24 m) long and 12 t (26,000 lb), emerges and kills the group. One of the men is startled and fires his gun, accidentally hitting the main control circuit on the back of the truck. Unfortunately, a serpentine tail smashes through the panel and begins to wreak havoc. Ramon stops the convoy and gets a tranquilizer gun, ordering a panel to be opened. Broddick is delighted and promises lucrative compensation to Ramon for his work.ĭuring the journey, whatever is sealed inside the back of the truck has awakened and become enraged. The caller, Ramon informs Broddick that his "package" has arrived overseas from South America and is being delivered. Their night out is interrupted by a phone call. Enjoying this spectacle is multi-millionaire casino owner Broddick ( Adam Kendrick) and his girlfriend Eve ( Angel Boris). Two masked wrestlers, one named "Boa" the other "Python", are grappling. The film is a crossover between Python (2000) and its indirect sequel New Alcatraz (2002, also known as Boa). In the film, an FBI agent seeks help from a herpetologist and a marine biologist to release a specially bred Boa to hunt a gigantic Python that has been attacking humans. It was directed by David Flores, from a script by Chase Parker and Sam Wells, and was filmed in Sofia, Bulgaria. Python is a 2004 science fiction horror film. |
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